Oslo, Maine

Meet Claude Roy, Pierre's blustery and proud fourth-generation Maine father who cannot, or will not, acknowledge the too-real and frightening fact of his son's injury. And his wife, Celine, a once-upon-a-time traditional housewife and mother who descends into pills as a way of coping. Enter Sandra and Jim Kimbrough, musicians and recent Maine transplants who scrape together a meager living as performers while shoring up the loose ends by attempting to live off the grid. Finally, the wealthy widow from away, Edna Sibley, whose dependent adult grandson is addicted to 1980's Family Feud episodes. Their disparate backgrounds and views on life make for, at times, uneasy neighbors. But when Sandra begins to teach Pierre the violin, forces beyond their controlconverge. The boy discovers that through sound he can enter a world without pain from the past nor worry for the future. He becomes a preadolescent existentialist and invents an unconventional method to come to terms with his memory loss, all the while attempting to protect, and then forgive, those who've failed him--