Phoenix Extravagant
Publisher,Rebellion
Publication Date,
Format, Paperback
Weight, 420 g
No. of Pages,
Gyen Jebi isn't a fighter, or a subversive. They just want to paint.
One day they're jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government's automaton soldiers.
But when Jebi discovers the depths of the Razanei government's horrifying crimes-and the awful source of the magical pigments they use-they find they can no longer stay out of politics.
What they can do is steal Arazi, the ministry's mighty dragon automaton, and find a way to fight...
Phoenix Extravagant is set in a country that resembles turn of the twentieth-century Korea; mostly sticking to its traditions, but with cars and electric light. It has been invaded a decade earlier by a country with different but similar traditions (i.e. Japan) and has since settled into an uneasy relationship with the conqueror that consist of conforming and rebelling.
Gyen Jebi is the sole point of view character. They don’t identify as a man or a woman but as not gendered. No attention is drawn to this, apart from the pronoun ‘they’ with which Jebi is referred to. They are an artist and they only want to paint, even if it means working for the invaders. When it turns out that what they paint directly helps the enemy to not only oppress their people but to destroy the country’s cultural heritage too, they start having second thoughts. Their journey from an observer to an active agent is fairly fast, but the outcome isn’t entirely what they expected.
Phoenix Extravagant is set in a country that resembles turn of the twentieth-century Korea; mostly sticking to its traditions, but with cars and electric light. It has been invaded a decade earlier by a country with different but similar traditions (i.e. Japan) and has since settled into an uneasy relationship with the conqueror that consist of conforming and rebelling.
Gyen Jebi is the sole point of view character. They don’t identify as a man or a woman but as not gendered. No attention is drawn to this, apart from the pronoun ‘they’ with which Jebi is referred to. They are an artist and they only want to paint, even if it means working for the invaders. When it turns out that what they paint directly helps the enemy to not only oppress their people but to destroy the country’s cultural heritage too, they start having second thoughts. Their journey from an observer to an active agent is fairly fast, but the outcome isn’t entirely what they expected.
This was my first ever book by Yoon Ha Lee and now I’m wondering why I’ve never read anything before , I was blown away. The writing is fantastic, the world building epic, full of representation (that is normalised and not highlighted, it’s just part of the world and I love it, because it’s how it should be)and it’s just, I’m overwhelmed how much I loved this. The characters, the story, just everything was fantastic, one of my favourite reads this year. Fantasy at its best and purest form