In "Verlie I Say Unto You," the unexpected death of Verlie Jones's lover reveals the unsettling truth about her employers--that, though they "couldn't get along without" Verlie, their maid of ten years, she is nothing more than a stranger to them. In "Berkeley House," a disenfranchised daughter anguished over the sale of her childhood home, discovers that it does not hold the key to her happiness, and perhaps never did. In "Greyhound People," a woman repeatedly and purposely takes the wrong bus from work after meeting its warm and disarmingly candid cast of passengers.